While there is more and more Christmas music available on CD and the radio and online, in some evangelical churches the traditional carols seem to be increasingly absent, which is a shame, perhaps because they don’t lend themselves to being played by a worship band.
There is so much wonderful truth – and some rather good backstories – in Advent and Christmas music, so for the next 24 days I thought I would draw attention to some of my favourites.
Where better to start than with Charles Wesley’s great Advent hymn, Lo He Comes with Clouds Descending.
According to the admirable notes from the New Oxford Book of Carols (NOBC), this hymn was written in the early days of Methodism, and based on a hymn by the Moravian John Cennick, whose original starts with the unlikely lines “Lo! he cometh; countless trumpets / Blow before his bloody sign.”
The tune first appeared in a publication by the Revd Martin Madan whose own story is about as colourful as John Cennick’s verse.
But to return to the hymn, surely this is one of the greatest celebrations and anticipations of Jesus’ return, praying with Paul: “O come quickly!” – while not pulling any punches over how Jesus will be received by those who have rejected him.
Words and tune are a perfect match and always sum up Advent for me.
 According to the NOBC, Martin Madan was a dissipated man who underwent a sudden conversion after hearing Wesley preach (he had gone to mock his mannerisms), and eventually became a warden of a hospital for women suffering from fatal venereal infections. As a result of seeing these women driven onto the streets by poverty and the shortage of marriageable men, he wrote a treatise “…which advocated Polygamy as the lesser evil. Forced to resign from the hospital in the resulting furore, Madan spent the rest of his life quietly in Kew, translating literary and theological works from the Latin.” As you would.